1931 Vintage CROSS Sky Clouds Switzerland JEAN GABERELL Religion Photo Art 12×16. Since 1989 – The Name You Can Trust For Fine Vintage Photogravures, Photographs & Antique Prints. Serving the Design & Decor trades for over 20 years. See our vintage and original prints featured in. Coastal Living, Dwell Magazine. And other fine quality publications. WE LIST DOZENS OF NEW ARRIVALS EVERY DAY! Where you can search our World Class Selection of authentic vintage prints by photographer or subject. Browse THOUSANDS of fine vintage photography prints from silver gelatin to photogravure. This Vintage 1931 Photogravure Comes Professionally Dry Mounted On 12 x 16 inch Acid Free Museum Mat Board & Is Ready To Place In A Standard Size Frame. Photographer: Jean Gaberell (Swiss, 1887 – 1949) – collected photographer best known for his views of Switzerland and winter sports. Subject: Alto Cumulus (Flock Clouds) Date Of Negative: circa 1925 – 1931 Type Of Print: Authentic Vintage. Date Of Print: circa 1931 Paper: Medium weight, matte/satin finish. Print Origin: Germany Approximate Image Size. 0.25 x 7.25. Inches Mount Board Size: 16 x 12 inches Print Border: No – full bleed print. Condition Grade: Fine + + Verso: Professionally dry mounted with archival materials on 4ply museum mat board. Registered Vintage Print Serial #. C ertificate Of Authenticity (COA): Yes – individual hand signed Gallery Certified COA from Fine Photo Galleries. Yes – tamper proof hologram certification affixed to print mount verso and COA. FINE PHOTO GALLERIES is pleased to offer an authentic (NOT a modern reprint), genuine vintage circa 1931 sheet fed photogravure (also known as a héliogravure print) produced from the original circa 1925 – 1931 negative/print by the listed photographer. Whether you collect photogravure prints or are simply looking for extraordinary home or business decor, this atmospheric photogravure will frame and display beautifully! This photogravure is guaranteed to be authentic and comes with a hand signed CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Finephoto Vintage Archive & Database. Under magnification this plate shows a tight “honeycomb” cell structure, uniform pressing of ink and a wide range of tone – all indicative of a quality sheet fed gravure print. The watermark word “Finephoto” does not appear on the actual print. READY FOR FRAMING & DISPLAY! – The expensive engraved copper plate photogravure process and the resulting fine prints make vintage photogravures highly collectible and excellent vintage prints for framing. Your vintage print will arrive ready to be placed directly into a standard size frame. Each vintage artwork comes with a fully authenticated gallery certified Certificate Of Authenticity. This COA contains a unique serial number and small corresponding tamper proof hologram with matching serial number affixed to the backside of the print with archival adhesive. Our exclusive authentication system and the ensuing COA/Hologram not only provides our clients with essential peace of mind but, adds value to the print in the future by providing provenance and the original gallery authenticity guarantee documents. ABOUT PHOTOGRAVURE: Photogravure is an intaglio printmaking process utilizing a carefully etched copper plate made from the original negative/image. Prints are made by pressing suitable paper heavily down upon the inked copper plate which has been intricately etched to varying depths corresponding with the actual tonality of the original negative, This precisely etched plate combined with a fine “honeycomb” screen controls the amount of ink to be transferred to the paper at any given point in direct proportion to the variation of tone in the original image. The result is a true continuous tone print which combines many qualities of a traditional silver based photograph with a tactile feel similar to an etching, engraving or lithograph. Rich in tonal detail, the photogravure process produces delicately rendered shades for a look which is unique in the world of photographic print making. In the early to mid 1900’s photogravure was selected (when budgets allowed) for special high quality publishing and portfolio projects, but due to its significant expense and labor, the process is rarely seen today. From Man Ray and Ruth Bernhard to Brett Weston and Ansel Adams, many of the world’s most renowned photographic masters have published their images in the rich photogravure process. Unauthorized copying or use of ANY PART of this description is prohibited. DO NOT DUPLICATE OR COPY!